Top 10 Albums of 2010
Only a few more hours of shopping before Christmas and I am here to help with my annual list of my top albums of 2010. I’ve even included handy links to Amazon.com so that you can gift these albums to those friends and family who you have waited until the last minute to shop for.
Before I get to it, let it be known that
1. This is not a list of the “best” music of 2010
2. This IS a list of the music released in 2010 that I listened to the most this year
3. The measurement for this list is based on identifying the albums released in 2010 that I downloaded and listened to and then averaging the total number of tracks played by the number of tracks in the album
4. I am fully aware that this measurement process benefits albums released earlier in the year, is impacted by the timing of travel (where I am more likely to listen to a new album repeatedly), my decision to rip my CD collection, which lead to lower new music listens this fall and a general interest in the back catalogs of some artists which lead to catching up with older bands rather than new music. But let’s face it, the album is a construct, the calendar is a construct, my decision to measure based on listens rather than preference is a construct, lists that stop at 10 are constructs. Accept it for what it is, live with it and c’mon it’s just my list no one is getting rich or famous off of this.
1. Charlotte Gainsbourg – IRM
My first love of 2010 and that quirk of timing results in it topping the list. I went through a bit of a phase with her father a couple years ago and Beck, who produced the album, has been a favorite for a while so when the single “Heaven Can Wait” was released I snapped it up and was primed for the album. Charlotte and Beck did not disappoint with what sounds like a Beck album by a chanteuse. Beck leans on the Serge Gainsbourg stylings that he used on Sea Change and Charlotte is a chip off the block with songs about S&M, but where Serge was cool and insinuating (or out and out graphic) his daughter is cool and sexy and Beck’s production delivers the perfect atmosphere for her.
2. Broken Bells – Broken Bells
I knew that this album would be on the list because of how much I listened to it this spring, and I was prepared to issue a major caveat that despite its position I just didn’t care for it as much as the others. You see I listened to Broken Bells a lot at first, rather enjoyed it at the time and then didn’t revisit. That became a vicious cycle, I didn’t listen to it again because I hadn’t listened to it lately and assumed it was because I’d stopped liking it and that the album didn’t stand up. But I listened again for this review and as you probably know from it’s inclusion on lots of other “Best Of…” lists, this is a great album. Danger Mouse’s production is fantastic and his partnership with James Mercer, while resulting in very different music than what he did with Cee-lo, has a similar structure and yields alt-rock songs with a experimental edge. I take it back guys. Well done.
3. Josh Ritter – So Runs The World Away
If you have not heard this album stop reading now, you have something better to do which is to go, buy, download and listen to So Runs The World Away. Seriously, now that I know this about you I can guarantee that reading my blog is a waste of time compared to that. For those of you who have heard So Runs The World Away you already know the astounding mix of musical inventiveness, creative songwriting and storytelling that Ritter delivers in this album. The middle of the album slumps a bit, but when you have songs like “Change of Time”, “The Curse”, “Another New World” and “Rattling Locks” on the album the other songs have a lot to live up to and the lesser tracks give you a chance to catch your breath. Unlike Broken Bells, this is an album that I never had doubts that I would return to over and over for the years to come.
4. MIA – Maya
I tweeted that this could be my album of the summer and it certainly was the album of my road trip to a Family Reunion that resulted in enough listens to make it my 4th most listened to album this year. If Maya didn’t get the love that MIA’s earlier albums got. Maybe it isn’t as strong as her last 2 albums and the revolutionary chic is wearing thin on people, but that shouldn’t get in the way of a good album. While Arular and Kala combined music and sounds in ear twisting ways, on Maya MIA does some genre testing with tracks that are straight up reggae, rock and pop along with the hip-hop/world music in a blender tracks that we fell in love with her for. No matter what a weaker MIA delivers better juxtaposition of sounds with funky beats than anyone else I can think of.
5. Louisa Maita – Lero-Lero
Every music collection and I’d dare say every life has room for some beautiful music from Brazil. Personally, I tend to commune with this muse on Sunday mornings and hot, lazy summer evenings and this year I prayed at the altar of Louisa Maita. A beautiful voice, but less classic than Babel Gilberto. Rhythmically experimental, but less electronically driven than Ceu or Cibelle, though there is a Maita Remixed album. Loida Maita’s gorgeous voice and dynamic backing musicians deliver a lovely album for those cool mornings and hot nights where it is needed.
6. Arcade Fire – The Suburbs
The Suburbs took some getting used to. It did not deliver the heart pounding lump in the through awestruck response that Neon Bible did and let’s you know from the first track that features a jangly piano rather than a wall of sound. The Suburbs is a more reflective and melancholy album on growing up in the suburbs and getting older. Instead of embracing you with sound the way that other Arcade Fire albums do Suburbs highlights lyrics first, which takes a few listens to absorb and then the music makes sense and pays rewards handsomely. I think of the teenager who imagined the scenario from “neighborhood #1 (Tunnels)” now older and looking back on his childhood and meditating on middle age writing this album. The songs don’t grab your lapels and shake, they set the scene and explain, but he can’t help but give you a thrill with the “Heart of Glass” -like “Sprawl II (Mountains Beyond Mountains).”
7. Vampire Weekend – Contra
No sophomore slump for Vampire Weekend, actually Contra sounds like a second disc of their first, eponymous album and that’s just fine. More West African style guitar, more wry songs about the life of the bohemian prep school set. I couldn’t have been happier.
8. Broken Social Scene – Forgiveness Rock Record
What do you know, after a bunch of side projects Broken Social Scene regrouped this year and produced Forgiveness Rock Record. Is it a great album? Maybe not, but it’s a quality album from a band that I like, as opposed to say Belle & Sebastian’s Write About Love that did nothing for me. There are some quality tracks like “World Sick,” “All To All” and “Ungrateful Little Father” as well as some filler, but the balance is positive and filled my earbuds nicely during quite a few commutes this year.
9. Standard Fare – Noyelle Beat
There are some sounds that when a band has it I just can’t help myself and that punky, electric guitar and drums skiffle with a female lead singer is one of them. I think that it started with Velvet Underground’s Mo Tucker singing “I’m Sticking With You” and was what I loved about The Vaselines. The Moldy Peaches caught my ear for the same reason. This year it was Standard Fare that hooked me with that sound. I didn’t listen to this so much as an album, but more like a set of individual tracks that I’d run into on random play and then star as favorites. The pop-punk sound, authentic interplay between Emma Kupa and Danny How and lyrics focused on yearning and regret guarantee that if I was 15 at least one Standard Fare track would appear on each mix tape that I gave to a girl I was wooing.
10. Sade – Soldier of Love
Frankly, I’m shocked that Sade made the list, not because I disliked Soldier of Love, but because I couldn’t remember it. Until I relistened to the album for this post I couldn’t hum the title track. With a few exceptions I just didn’t dig into albums this year the way that I have in others, but with a recent downloads playlist and repeat play they get listened to. Basically, if you are hoping for something new and different from Sade, sorry, more of the same smooth soul/ smooth-jazz. But if you like Sade, and I have been a fan since Smooth Operator hit my teen ears in the middle of a serious Depeche Mode jag, then you will not be disappointed.
2011, the slate is clean. Bring it on.
















